During my travels, I have meditated on a different sort of voyage: the one that the soul makes to the afterlife. Death and the afterlife are perennial artistic subjects, and I wanted to express both the loss and the hope that I see as intrinsic to a person’s departure from the world. These photographs, taken at cemeteries and churches around the world, capture moments of tranquility in images that are disarmingly warm and welcoming. The rich tones of the palladium process invite in the viewer, accentuating my view that death is not something to be feared, but a fact that should enhance the viewer’s appreciation of life.
Palladium printing is a historical photographic method that dates back to the late nineteenth century. It requires the hand coating of 100% cotton rag paper with ferric oxalate, then an exposure with a negative in the darkroom under intense ultraviolet light. The print is highly archival and produces an exquisitely warm-toned image. The palladium printing process imbues the subject with a timeless intimacy, making it well suited to photographs of heritage architecture.
Palladium Printing is a historical photographic method that dates back to the late 1800s and is done by hand coating 100% cotton rag paper with ferric oxalate and exposed with a negative in the darkroom under intense ultraviolet light. The print is highly archival and produces an exquisite warm toned image.